Police and park personnel spent Saturday night chasing as many as 2,000 illegal campers from the grounds folks partied and did the windowpane dance around the bonfire at Chief Hosa campground. As soon as a Kris Kristofferson concert let out on a Saturday night, Deadheads began trying to camp at the park for their Sunday night festivities, the first of the Dead’s three-night stand.
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The band returned for the two August shows, brandishing new songs that would appear on Shakedown Street.įor the Grateful Dead’s 1979 shows, the band’s inimitable community of fans was in full force in and around Morrison. A rare performance of “Werewolves of London” concluded the July 8 show both the July 7 and 8 shows were released in 2016 among other performances as July 1989: The Complete Recordings.
“You can use all the ‘power’ you can get up there, because you’re basically gasping for air if you’re singing, or playing a horn-you just don’t get a lot of air to work with up there.”Ī young Bill Walton had just won his first NBA Most Valuable Player award a month earlier he hung backstage on crutches. “I was awestruck by the place when I walked in,” rhythm guitarist Bob Weir added. It gave us fine tuning possibilities that we couldn’t do before, and the live show is what we really do.” At Red Rocks, we played several nights in one place. The realities of touring keep you from playing more than one-nighters in a different venue every night. “It’s a cumulative thing as we adapt to the environment.
“We played better,” venerable guitarist Jerry Garcia explained. The Dead used Red Rocks as an instrument of sorts to take Deadheads to places they’d never been.
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The band was scheduled to play four days in 1978, but in two shifts (July 7 and 8 plus August 30 and 31). The Dead considered the outdoor venue “a sacred place,” likening it to Stonehenge and the pyramids of Egypt. With the Grateful Dead’s first-ever performances at Red Rocks Amphitheatre in 1978, the band and Red Rocks Amphitheatre started becoming synonymous.
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